Miss
Ripley 미스 리플리 MBC (2011) 16
Episodes
Melodrama, Romance, Grade: B
Korean Drama Review by Alison, USA
~~~~~~~~~~~~~~~~
How far
would you go to get the things you want in life?
Would you lie if it were the only way to achieve your
goals? The heroine of the Korean drama Miss Ripley
(2011) is so determined to reinvent herself, she will
do whatever it takes.
The mystery novelist Patricia Highsmith created the
character “The Talented Mr. Ripley” – an individual
who was adept at assuming the more desirable identity
of another person (Ripley was played in the movie
versions by Alain Delon and Matt Damon, so you can see
he is meant to be a charmer). Miss Ripley
similarly focuses on this type of chameleon in the
form of its heroine, Mi-ri Jang (embodied by actress
Da Hae Lee, herself quite a charmer and veteran of
such dramas as Chuno,
Green
Rose, My
Girl and East
of Eden). The drama was also partially
inspired by the true story of a woman who finagled her
way into a post at a prestigious university by forging
her credentials.
The Story:
When the story begins, we meet Mi-ri, who is working
in a seedy Japanese nightclub, clearly against her
will. She is young and pretty and it is not difficult
to sympathize with her plight. One day she manages to
escape her employer Hirayama (Jung Tae Kim, from Bad
Guy and Swallow
the Sun) and we cheer her on as she heads
to Seoul to make a fresh start.
Soon M-ri has a series of
life changing encounters. For one, she re-connects
with a young woman, Hee -joo (Hye Jung Kan, from On
Air), whom she knew as a child. The back
story between these two is that they spent time in an
orphanage together. Mi-ri wound up there after her
mother abandoned her and her father died. Hee-joo is
waiting to be reunited with her family. She is the
timid one, while Mi-ri is more feisty. When a Japanese
couple wants to adopt Hee-joo, Mi-ri helps her to hide
away. This backfires, however, when Mi-ri is forced to
take the other little girl’s place and whisked off to
Japan by her adoptive parents, who treat her like
slave labor. Mi-ri feels that Hee-joo should have been
the one to suffer her fate, and Hee-joo, who wound up
a successful and educated young woman, in turn feels
great guilt toward Mi-ri and this guilt causes her to
overlook Mi-ri’s behavior for longer than she should.
Mi-ri takes a room at a college dormitory where she
meets the handsome young Song Yoo Hyun (Micky Yoochun,
best known as a rapper/singer and actor in dramas like
Rooftop
Prince). He recently returned from Japan
to take over his family’s business, but Mi-ri just
thinks he is a poor student. He is immediately taken
with her, but she is completely uninterested. Instead,
she focuses on finding herself a well-paying job – a
virtually impossible task given her lack of experience
and credentials.
Then Mi-ri has yet another fortuitous encounter when
she runs into hotel manager Jang Myung Hoon (played
with gentle dignity by Seung Woo Kim from Late
Night Restaurant and Hotelier).
He needs someone who can speak Japanese with one of
his VIP guests, and hires Mi-ri as a guest relations
officer (without checking her credentials!) when he
learns she can speak that language fluently (she
claims to be a graduate of a Tokyo university).
Of course, it also does not
hurt that he is a lonely bachelor and she is a very
pretty and vivacious young woman. He is a little
skeptical but wants to help her, so he relaxes the
rules about hiring and allows her to provide her
paperwork later.
Now in order to keep her job, Mi-ri needs to
substantiate her lie. As luck would have it, she
notices her “frenemy” Hee-joo’s graduation certificate
lying around in the young woman’s apartment, and
swipes it in order to have a counterfeit one made.
This has negative repercussions for the unsuspecting
Hee-joo, who goes off on her own hotel job interview
without realizing that her certificate is missing.
She does not get the job. Since Hee-joo is portrayed
as being endearingly clumsy, it is difficult to make
much sense of her character – supposedly so
accomplished, but also seemingly so clueless. She may
have the book smarts, but Mi-ri clearly has the street
smarts to succeed.
So Mi-ri begins to move up
in the world, living her brand new life. She seduces
Myun Hoon, charming him by being kind to his aging
mother, and he is soon ready to propose. She likes him
well enough, and appreciates his kindness, but the
primary attraction is that she believes he will one
day be the CEO of the hotel and further guide her
career.
Soon Mi-ri realizes that she might be setting her
sights too low with Myun-hoon when she learns that her
admirer Yoo-hyun, to whom she has not been giving the
time of day, is actually the wealthy heir to a
Korean-Japanese hotel conglomerate. Without letting go
of the first suitor, she accepts the attentions of the
second, and is soon dreaming of being the wife of a
very rich man. At one point, she is engaged to both of
them simultaneously, but this situation is bound to
come to a head when the two men get to know and like
each other, cluelessly comparing notes about the woman
they are both so enamored with. There is a wonderful
scene where Myun-hoon and Yoo-hyun arrange to have
dinner together so the other can meet his fiancee …
and I won’t spoil the fun for you as to what happens
with that!
Ultimately, Mi-ri cannot
keep deceiving both men, so she makes her choice,
betraying and outraging Myun-hoon. He is now
determined to expose her past, while Yoo-hyun’s family
is none too pleased with his choice either. His
stepmother in particular is bound and determined to
get rid of this gold-digger. Eventually, Mi-ri becomes
desperate to protect her position as her former boss
(and it is implied, lover) Hirayama arrives in Seoul
looking for her and ready to reveal all her secrets.
Miss Ripley is incredibly fast-paced, with a
cliffhanger to end every episode. You find yourself
wondering not just what will happen next, but how will
Mi-ri wiggle her way out of this one? I have to admit
that I was always kind of rooting for her to stay one
step ahead of her enemies.
Why did I love Miss
Ripley? It is certainly not your typical
K-drama, and it features one of the most audacious
liars you can imagine. There is really no satisfying
love story and no one to clearly root for. However, I
had great fun watching the main character evade
detection for as long as she does, building lie upon
lie and twisting two men around her pretty little
finger.
The credit for my enjoyment rests primarily with the
performance of the effervescent Da Hae Lee, who for
some reason reminded me of Audrey Hepburn (as Holly
Golightly) in this role. Like so many Korean
actresses, she is porcelain pretty, and petite, with a
glowing smile and the ability to project vulnerability
as well as strength. She wears the shortest skirts you
can imagine, completing the girlish image. Although I
did not exactly support Mi-ri’s actions, her behavior
was understandable given all that she has been through
in the past. She wanted to escape from a terrible life
that befell her through no fault of her own, and
making a fresh start was fraught with challenges given
her limitations. Even though she was attracted by
wealth and power, she was willing to work hard, and
was ambitious to prove herself. Had fortune smiled
upon her earlier in life, she would likely not have
become so jaded and grasping. I gave her credit for
some things, and condemned her for others, but in some
ways, I always felt a little sorry for her and
respected the way she was determined to survive at all
costs.
The other performances in Miss Ripley were a
bit more problematic for me. As Yoo-hyun, Micky
Yoochun is rather a bland cypher, without much
personality and I did not see much chemistry between
him and Mi-ri. His character is polite, dignified, and
intelligent, but there was no real fire
or presence.
On the other hand, I am a
fan of Seung Woo Kim, who is not exactly a dashing
leading man either, but who is very appealing with his
gentlemanly manner, kind eyes and overall
intelligence. I felt great sympathy for his character.
His relationship with Mi-ri is somehow very
convincing, and also tragic. Personally, I thought she
made a big mistake alienating someone like him, who
truly cared for her.
Finally, there is Hye Yung-kee as Hee-joo. There is
not much purpose to her character, except to be a foil
for Mi-ri, someone to be taken advantage of, but her
role is underdeveloped and she sits on the sidelines
most of the time. The actress is pretty and appealing,
but she is unable to do much to make this role
memorable.
I really liked Jung Tae Kim as the Japanese villain,
Hirayama. He was great at being menacing, but he was
also somehow not entirely detestable. In some sense,
he pursues Mi-ri to Seoul because he has genuine
feelings for her and wants to hold onto her. He
manages to create a multifaceted character with
understandable motivation.
Kudos also go to the two young actresses who play
Mi-ri as a child and a teen, respectively – Ha Yong
Park (from Temptation
of an Angel) and Da Bin Jung (The
Manny). They are both quite touching and
look remarkably as if they could grow up to look like
Da Hae Lee.
Overall, Miss Ripley was a wickedly
entertaining drama without a dull moment – especially
if you are looking for a change of pace and don’t mind
a lack of “sweetness” to your drama. Will you hate
Mi-ri, or will you forgive her behavior? Is she a bad
girl, or not so bad? Watch MissRipley
and judge for yourself!