Romance Is A Bonus Book 로맨스는 별책부록 tvN (2019) 16 Episodes Romantic Comedy / Melodrama Grade: A Korean Drama Review by Jill, USA
OST Song "Take My Hand" by Jannabi
Romance Is A Bonus Book (2019) should have been an A+ Korean
drama for me, with the caliber of actors it had in
it, and with the screenwriter of the popular "I Need
Romance" series Jung Hyun Jung at the helm (I am particularly daffy
over I
Need Romance 3, the best of the lot, and
I re-watch it every summer), and while I DID enjoy Romance
Is A Bonus Book quite a bit while I watched
it, especially in the beginning, at least one major
plot development -- or more accurately, LACK of plot
development -- disturbed me quite a lot, namely the
fact that the female lead character of a recently
divorced woman in her late thirties (a comeback role
for Won Bin's wife Lee Na Young from Ruler
Of Your Own World) was given a young
daughter in the script, but we essentially see this
child abandoned by BOTH parents - the ex-husband who
left his family to shack up with another woman --
and her financially struggling mother, who often
seemed more concerned with finding a job and
fulfilling her own professional and romantic dreams
than taking care of her only minor child! I wondered
why the scriptwriter even bothered giving her a
child in the first place! She should have remained a
single woman in the story, because that's how she
acted more than 3/4s of the time.
For the majority of this drama we never see this
child, who in reality would have suffered greatly
from the sudden break-up of her family, not
even a picture on a bedroom table or at a work-desk
of her mother! This is entirely unrealistic for the
majority of divorced families. Often the children
need just as much re-assurance that they are loved
as the cheated upon spouse who was deserted. This
writer totally ignored this truth; except for
one telephone call near the beginning of the show
this child of hers is never mentioned again! How
much more powerful a drama this would have been if
the writer had bravely shown the profound effects of
divorce upon children. Since the lead female
character seemed to have a moral, younger,
financially secure man in love with her (played by
Lee Jong Suk from the vastly superior I
Hear Your Voice) why would he object to
taking care of the child since he loved the mother?
Just shuffle the kid off to boarding school to get
her out of the way? It was as if she died. I just
couldn't respect this plot cop-out.
Where's The Kid???
The
Story:
We follow the lives of several people in the
book publishing industry during this drama. Our
male lead character is named Cha Eun Ho (Lee
Jong Suk) who is known as a genius writer and
copy editor, and presently he is the youngest
chief editor at his publishing company, which is
officially run by the affable co-founder sunbae
(senior) Kim Jae Min (actor Kim Tae Woo, who
played the unforgettably evil Mu Chul in the
masterpiece That
Winter, The Wind Blows).
The Kooky, Flamboyant
Chief Editor Jae Min (Kim Tae Woo)
Quite Different from Dastardly Mu Chul!
Eun Ho is clever
and good looking, with a warm heart, but he has
a secret: he has been in love for many
years with an older married friend named Kang
Dan Yi (Lee Na Young) who used to be a talented
copywriter for a publishing firm before her
marriage and motherhood. Due to her sudden
divorce from a husband who cruelly cheated on
her she is now almost broke and unemployed, with
a young sick daughter in the hospital as well.
(I was wondering what kind of terrible lawyer
she had who didn't provide for her financially
in the divorce agreement - he should have been
disbarred!). She is so desperate for work that
she even considers lying on her resume so she
can obtain any entry-level position in any
publishing company in Seoul. Even though she
tries diligently to find a job she is
unsuccessful at it for quite some time,
especially since there is prejudice against
women who leave the workforce for motherhood for
several years. Too many others right out of
school, and with fewer family responsibilities,
are competing for the same entry level jobs.
Finally Kang Dan Yi gets an entry
level job at a publishing company by lying about
her educational and professional background in
publishing, pretending she is only a high school
graduate. And of course, no small coincidence,
this company that hires her just happens to be
the same one in which Cha Eun Ho is the chief
editor. However, he tries not to show her any
favoritism at work, even though he clearly is
still fond of her. When he discovers she is
basically homeless he offers her a room in his
own apartment, and of course she takes it. (This
is a typical K-drama trope: get the main
lead characters in a close proximity arrangement
so we can see their feelings develop for one
another, and here, like clockwork, those
feelings are confessed about half-way through
the drama).
The secondary characters in the
drama are often quite amusing and
interesting as well, including my favorite
Song Hae Rin (Jung Eugene from Because
It's The First Time), a copy
editor, who shows a continued sweetness and
humility and sense of humor through most of
the story. She often made me smile because
she wasn't as complicated in her nature as
the other characters. In the beginning she
has a crush on Eun Ho but they essentially
talk it out and she comes to her senses
fairly quickly, seeming to take a new shine
to a graphics artist named Ji Seo Joon (Wi
Ha Joon from Something
In The Rain) who often does
cover designs for the publishing company's
books.
Seo Joon seems to have an air
of mystery about himself. He coops
himself up in his apartment for long
periods of time and seems to be busy
with one particular project, which as it
turns out might link him to a famous
Korean author who suddenly disappeared a
number of years ago with no trace. There
even appears to be some kind of a link
between Seo Joon and Eun Ho, even though
for most of the drama they don't seem
very friendly toward one another. Will
that change by the end of the story?
Even though Dan Yi quickly
makes friends in the company it
eventually is revealed that she lied
on her resume to get the entry level
job and she is fired. She tries to
work for a smaller publishing firm
but leaves when she finds the owner
operating unethically. Right before
she had left Eun Ho's company, she
had applied for a writing contest
there, and she ends up winning! Can
the chief editors find it in their
hearts to offer her an even better
job, this time based on her
excellent professional skills in the
writing and promotion departments?
When lives become stabilized among
the workforce, the company begins to
excel like never before, and can
even start to take on more
experimental projects for
publication, like poetry books and
fanciful novel titles that might
have troubles selling at first. This
excites the staff because they all
feel they can contribute to the
publishing company's success in
their own unique ways. In this
respect the drama created a nice
feeling of camaraderie among the
workers, and I wondered if
publishing firms in Korea were
REALLY this upbeat all the time!
(Somehow I doubt it!).
I was
hoping in the last episode that the
daughter would FINALLY be reunited
with her mother but nope! she is
never mentioned again, which really
bugged me. Dan Yi was now
financially successful and "in love
with a wonderful guy!" (to quote a
song in the musical South Pacific);
the script writer COULD have shown
her joyfully being re-united with
her daughter and shown the daughter
happy when Dan Yi married Eun Ho,
but nope! That wasn't shown either.
I was left scratching my head,
knowing that this is not what
happens in the majority of most
divorce cases: usually one
parent is primarily given custody,
but not here. For all the audience
knew the kid could have fallen off a
pier and drowned. The neglect of
this important story line brought
this drama down from A+ to A and
frankly that made me very sad. It
was excellent otherwise. I was
excited to see Lee Na Young come
back to acting, excited to see Lee
Jong Suk united with a leading lady
older than himself (he seems to do
best with that casting scenario),
and excited to see a drama about the
publishing world. However, I just
wish the writer had interviewed
actual divorced women to find out
what it's REALLY like out there for
divorced parents. Instead she chose
to bring pathos into the story late
in the game regarding an elderly
character in a coma - but you'll
have to find out what that entails
by watching the drama yourself.
Try it, despite my misgivings, it
still had quite the pleasant
entertainment value -- nice,
compelling performances by the fun
cast, sweet music, and adorable
humor at times. Enjoy.